Inmates with family support during incarceration are less likely to reoffend, according to the Washington Department of Corrections (DOC). One of the family support programs offered through the DOC allows for video visits with inmates at most facilities, at a cost of $12.95 for a thirty-minute visit.
The Public Law Library of King County is now offering free video conferencing between inmates housed in a DOC facility and their friends or family members who are on an approved visitors list. The Law Library was awarded funds from a class action settlement regarding inmate collect calls. The settlement funds are generally limited to projects that directly benefit inmates and their families. The Law Library has used a portion of these funds to purchase video conference equipment at both library locations (at the King County Courthouse in downtown Seattle and the Maleng Regional Justice Center in Kent). Each private video visit meeting room is equipped with a large flat-screen television, web camera with audio, and computer.
In addition, the settlement funds will be used to reimburse video visits participants for the cost of the visit. To qualify for reimbursement, the video visit must be scheduled in advance and take place at one of the Law Library locations. A participant will first schedule and pay for his or her appointment through the third party vendor’s website and then contact the Law Library to schedule a video visit appointment. At the end of the visit, the participant will receive a cash payment of $12.95 as provided by the settlement funds.
Adam Johnson, The Orphan Master’s Son (Random House, 2012) LAW – Walkover Collection (2nd Floor) PS3610.O3076
Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs a work camp for orphans. Superiors in the state soon recognize the boy’s loyalty and keen instincts. Considering himself “a humble citizen of the greatest nation in the world,” Jun Do rises in the ranks. He becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.” (Summary from the publisher)
The Seattle University law library is pleased to offer a legal research workshop to help prepare students for summer employment or to brush up on their legal research skills. The workshop will cover state and federal legislative history, regulations, and practice materials using a problem-based approach. Students will have hands-on practice working through research scenarios. Please bring your laptop.
The workshop is free and will be held on Wednesday May 21st from 9:30 – 11:30 am in Sullivan Hall room 109. Coffee and snacks will be provided.
Writ Writer tells the story of Fred Cruz, who became a jailhouse lawyer–writ writer in prison parlance–and the legal battle he waged to secure what he believed to be the constitutional rights of Texas prisoners. Check out Writ Writer from the Law Library, and follow Cruz’s courageous journey all the way to the Supreme Court.
The Walkover collection is located on the 2nd floor of the library under the staircase.
Aleksandar Hemon, The Lazarus Project (Riverhead Books 2009) LAW-Walkover Collection (2nd Floor) PS3608.E48L39 2009 (National Book Award Finalist 2008)
“MacArthur genius Hemon in his third book (after Nowhere Man) intelligently unpacks 100 years’ worth of immigrant disillusion, displacement and desperation. As fears of the anarchist movement roil 1908 Chicago, the chief of police guns down Lazarus Averbuch, an eastern European immigrant Jew who showed up at the chief’s doorstep to deliver a note. Almost a century later, Bosnian-American writer Vladimir Brik secures a coveted grant and begins working on a book about Lazarus; his research takes him and fellow Bosnian Rora, a fast-talking photographer whose photos appear throughout the novel, on a twisted tour of eastern Europe (there are brothel-hotels, bouts of violence, gallons of coffee and many fabulist stories from Rora) that ends up being more a journey into their own pasts than a fact-finding mission. Sharing equal narrative duty is the story of Olga Averbuch, Lazarus’s sister, who, hounded by the police and the press (the Tribune reporter is especially vile), is faced with another shock: the disappearance of her brother’s body from his potter’s grave. (His name, after all, was Lazarus.) Hemon’s workmanlike prose underscores his piercing wit, and between the murders that bookend the novel, there’s pathos and outrage enough to chip away at even the hardest of hearts.” (Review from Publisher’s Weekly)
Paul Goldstein, Havana Requiem (Farrar, Straus and Giroux, 2012) LAW – Walkover Collection (2nd Floor) PS3607.O4853H38 2012
Fueled by alcohol and legal brilliance, Michael Seeley once oversaw his law firm’s most successful litigation. Until it all fell apart. Recklessness and overreach cost him his wife, his job, and likely the life of his last client, a Chinese dissident journalist. Havana Requiem, the latest Seeley novel from the acclaimed author Paul Goldstein, opens after a year’s sobriety has earned Seeley back most of what he lost: the partnership in his Manhattan law firm, if not his corner office; the wary respect of most of his partners; the lucrative clients—but not the gin-sharpened passion.
Then the renowned Cuban musician Héctor Reynoso enters his office with a simple request: help him and other composers who defined Cuba’s musical golden age of the 1940s and ’50s—the music that made the Buena Vista Social Club internationally famous—reclaim the copyright to their work. When Reynoso goes missing, Seeley’s reluctant promise to help draws him progressively deeper into Havana’s violent underbelly and a decades-long conspiracy that runs from the partners in his firm to the U.S. State Department to Cuba’s security police, who are willing to do anything to suppress the truth. In the heat of Havana, Seeley will lose himself to his worst and best passions as his pursuit of justice becomes a desperate gambit to save not only his composers but the stunning Amaryll, who is playing her own dangerous game. (Summary from the publisher)
The library has one self-service copy machine located in the reserve area on the 2nd floor. The copy machine accepts change, one and five dollar bills and Seattle University campus cards that have value added to the debit account. Value can be added to your campus card using e-Accounts. Additional information is available on the “Campus Card” section of the OIT website. Cost for photocopies is $0.10 when using change and $0.055 when using your ID card.
Contact the circulation staff if you encounter any problems with the copy machine. Circulation staff can add paper and fix minor paper jams but cannot repair the machine. Staff will place a service call if required.
Justice for Sale follows a courageous Congolese human rights lawyer Claudine Tsongo in her struggle against injustice and widespread impunity in the Congo. In Claudine’s journey to obtain justice, she uncovers a system where the basic principles of law are virtually ignored. The documentary not only provides a glimpse into the failings of the Congolese judicial system, but also examines how justice may be for sale as the international community and NGOs offer financial support to the Congolese judicial system. Check out Justice for Sale from the law library.